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Thursday, May 22, 2008

Download Link:
 
 
Music List:
 
1 Diamond Ring
    2 Rattle Snake Shake
    3 Nine
    4 Drifting Haze
    5 Far From Reality
    6 Black Sea Star
    7 The Kara-Dag
    8 Loser
    9 Mortisha
    10 Falling
    11 The Truth
 

CD Review: Jimmy Bowskill - Jimmy Bowskill

The opener, "Diamond Ring," brings to mind Gordie "Grady" Johnson and Big Sugar, although Jimmy's guitar tones aren't quite as monsterous as Gordie's (but whose are?). It's a great opener that sets the tone for the rest of the record.
"Rattle Snake Shake" is Jimmy's take on legendary Peter Green's (Fleetwood Mac) blues rock anthem. The lead break is a thing of beauty and I love Wayne DeAdder's baseline just hanging out in the back.
I was introduced to "Nine" at one of Jimmy's shows in fall 2006 (at that time called "Nine String Thing"). This is Jimmy on one of the mad scientist guitars he builds in his workshop, a flat top accoustic with three extra strings shoehorned onto it. "Nine" is a hybrid bluegrass, folk, blues, with drones a la Indian classical music. The Tabla accompaniment further ads to the Indian feel. I dug it last fall and I really dig it now!
"Drifting Haze" isn't necessarily my cup of tea. At a length of 6:04 it's Zepplin-meets-Stonerrock that goes on for a few more minutes more than I would have liked. If I recall correctly, the lead breaks are performed on an electric twelve string which in itself is pretty cool. If you're into moody Zepplinesque jams then this may be your cup of tea.
In "Far From Reality," Jimmy definately has a Page/Plant vibe going on. I also had flashes of early Aerosmith. I like this song and its tastey single note riffing, chord inversions, and the always dissonant 7#9 chord. The guitar tone is stellar on this as well. Sounds like a little 'Class A' sleeper cranked until it is begging for mercy.
"Black Sea Star" a is shining four and a half minutes. I love the way Jimmy used the ambient room sound of the guitar and drums to create an intimate lo-fi reggae sound. I feel like I'm right in the room, and sipping a tropical drink.
Hmmm, was "The Kara-Dag" co-written with the drummer? The two minute drum solo at 00:50 may have tipped me to that. Just call me Sherlock.
"Loser" is from the same ballpark as "Drifting Haze", but with some moody and fitting slide lines. Jimmy's vocals also take the wheel and we get to hear his chops now that his voice has changed.
A great groove from the get-go is what "Mortisha" offers. Fun lyrics too.
The album's only ballad is "Falling." This is a beautiful song hindered only by the heavy-handed drumming which seems to come from left field.
Rounding out Jimmy's effort is the masterpiece "The Truth," A minor blues which is just pumped full of emotions, from the heartfelt vocal to the lead breaks which squeeze a story from a recurring four or so notes and a wha pedal.
With this self titled disc, Jimmy has moved away from the more traditional blues found on his two previous recordings. Overall the album has a classic stadium rock vibe. Earth shaking drums and big guitars are found throughout. This is an evolution I for one am happy to witness. Will this alienate some of the more conservative fans? Probably. Will this bring new fans into the fold. For sure!

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