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On her fifth studio CD, folk-rocker Patty Griffin employs three timeless themes--childhood, flight, and death--to craft her most musically diverse and accessible album yet. But while moving through jazz, beatnik, classic and modern folk, gospel R&B, Americana, and moody piano ballad, Griffin keeps her backing quiet and spare, all the more to showcase the power of her deft storytelling and the bell clarity of her unadorned soprano. On song after song, the characters who waft through her experience are on the move, chasing one thing and fleeing another--on trains, ships, buses, in cars, even on the aerialist's bar--ultimately trading an ending of one kind for a new beginning and transference. Sometimes--as on the Rickie Lee Jones-ish "Stay on the Ride," where an old man with no name answers an existential urge for going--they don't even know what it is. "Trapeze," the most resonant offering, follows an aging circus performer who'd rather work without a net than take her chances in love. Here, Emmylou Harris adds one of her most aching harmony lines to Griffin's exquisite, ethereal lead, while in the next track, "Getting Ready," the singer turns a 180, laying a sneering Dylanesque vocal over a fiercely scrubbed acoustic guitar and an occasional dissonant kiss-off. "Baby, baby, you were my drug/And I was just your cigarette," she drones knowingly. One suspects that particular object of her affections will soon regret it. --Alanna Nash